‘Return to Forever: Returns’ arrived 10 years ago today as a reminder of everything we loved about this cosmic, muscular and damned funky band.

‘Live at Bush Hall’ isn’t a Gary Moore hits package, so much as a journey deep into his considerable craft.

Christopher Cross, because he had so much success in such a small window of time in the early 1980s, has a caught-in-time sound — one that remains, even on this expansive live document, redolent of a specific moment. You May Also Like: Catherine Sikora and Ethan Winogrand – ‘Things ToRead More

For all of the dynamic playing associated with the late Jon Lord’s performances of this life’s-work composition alongside his band mates in Deep Purple, you never heard it quite like this. You May Also Like: No related posts.

Peter Green Splinter Group’s ‘Blues Don’t Change’ was scalding in its honesty, ageless in its sense of community, and beautiful in its simplicity.

Fred Turner has described his reunion with fellow BTO alum Randy Bachman as being “almost like a rebirth.” A signature moment in that emotional return from early retirement is forthcoming as Eagle Rock releases Live at the Roseland Ballroom, NYC on May 29, 2012 You May Also Like: ‘Bachman andRead More

Rory Gallagher could have been blues music’s long-lost savior, so vibrant, complex and original was his personality — both as a guitar player and (importantly) as a composer. Listen to BBC Sessions, which principally focuses on his work in the 1970s, and its easy to imagine Gallagher reanimating the musicRead More

There’s a world-weary melancholy, a hard-won realism, to Styx’s new song that didn’t exist in Tommy Shaw’s fun-rocking “Renegade” days, and that points the way out of the band’s more recent habit of backtracking You May Also Like: No related posts.

Tangerine Dream — or as they were known, back when I was in school: The guys who did the weird music for the “Risky Business” soundtrack — had gotten significantly less weird by this point. Founding member Edgar Froese is the lone hold over from Tangerine Dream’s 1971-77 whoa-man synthesizer-soundscapeRead More

Improperly named, the Average White Band was anything but. First off, one of the rhythm guys, at least by this point, wasn’t white. Second, and this is far more important, they funked it up with a vigor and style that would never be confused with average. You May Also Like:Read More