Delfeayo Marsalis doesn’t just rediscover Duke Ellington. He reanimates Ellington as a living breathing thing, a collaborative voice.

by Nick DeRiso Even a passing fan can purchase with some confidence the touchstone jazz recordings of the last century. But what next? How to explore deeper into the legacy? SomethingElse! is here to help, with an ongoing guide to what we like to call “if/then” jazz listening … IFRead More

To take the old-school harmonic brilliance of Duke Ellington into the realm of John Coltane — soon to establish himself as the picture of avant garde, stimulatingly free, out there in such a way as to legitimately draw comparisons with the spiritual — was, you imagine, a challenge of equalRead More

NICK DERISO: When Duke Ellington strolled out on stage for this 1958 date, it had been 25 years since he’d previously appeared in Europe. Still, though he was kept away by a war and a drawn-out dispute between the U.S. and Brit’s musicians unions, you could say Ellington had madeRead More

NICK DERISO: Art Blakey demanded bravado from his bands, and this one was perhaps his most intense and adventurous. Debuting here on Riverside, “Caravan” opens with Blakey’s audacious drum solo — then moves quickly into an assertive and simply awe-inspiring take on a track once defined by Duke Ellington. ARead More