For ‘Dial Up’ by Dave Rempis, Jason Adasiewicz + Chris Corsano, it’s the Chicago/Midwestern lunch-pail approach to free improvisation is the glue that holds this trio together.

Kuzu’s third album ‘The Glass Delusion’ continues this noise-jazz trio’s reputation for making some of the most individualistic and rewarding music of this genre.

Dave Rempis, Tashi Dorji and Tyler Damon continue to draw heavily from their experimental/improvised music backgrounds, letting everything else in Kuzu rest on instinct.

Performances like these are often called “spontaneous compositions” but in the case of Dave Rempis’ Kuzu, they’re often spontaneous combustions.

Ballister’s fifth release ‘Worse For The Wear’ proves that Chicago-style free jazz remains cutting-edge and uncompromising.

Whenever I hear a sax/drums duet record, I can’t help but compare it to John Coltrane’s late career tour-de-force with Rashied Ali, Interstellar Space. You May Also Like: Kuzu (Dave Rempis, Tahi Dorji, Tyler Damon) – ‘Hiljaisuus’ (2019) Kuzu – ‘Purple Dark Opal’ (2020)

Earlier this year Chicago saxophonist Dave Rempis launched his own record label Aerophonic to serve as the main home for his various projects and the first two of these recordings are hittin’ the streets You May Also Like: Kuzu (Dave Rempis, Tahi Dorji, Tyler Damon) – ‘Hiljaisuus’ (2019) Kuzu –Read More

Mi Casa Es En Fuego, which means, “my house is on fire” in Spanish, is an appropriate name to call a set of music that’s often aflame, and even in the quieter moments, the embers are still glowing, ready to re-ignite the house again. You May Also Like: Ballister –Read More

by Mark Saleski Saxophonist Dave Rempis’ co-conspirator on drums, Frank Rosaly, lays down some solid grooves and textures. Nothing here is quite as chaotic as say, Interstellar Space, but the music isn’t exactly subdued either. Rempis displays some impressive extended technique on tunes like “How to Cross When Bridges AreRead More