Darius Jones – ‘Legend of e’Boi (The Hypervigilant Eye)’
With ‘Legend of e’Boi (The Hypervigilant Eye),’ Darius Jones converts his personal struggles into his most personal, genuinely fervid music to date.
With ‘Legend of e’Boi (The Hypervigilant Eye),’ Darius Jones converts his personal struggles into his most personal, genuinely fervid music to date.

Unpredictability and real passion characterizes ‘The Darkseid Recital’ as a whole, just as it did for Jones’ and Shipp’s amazing ‘Cosmic Lieder’, but those things are magnified from doing it from the stage. That’s the perfect way to follow up on that earlier, acclaimed duet.

2 is a blatant display of doom but not blatant display of chops, at least, not in the jazz sense of chops. It’s a temperament thing, and much of 2 moves at a glacial pace, and yet, the fury is all there. Slow motion death metal.

The first-call acoustic bass player best known in five words or less as “Branford Marsalis’ bassist since forever” is preparing to release his own led-date In Memory of Things Yet Seen (March 25, 2014, Clean Feed Records). You May Also Like: Eric Revis – Sing Me Some Cry (2017)

Alternately volcanic, fragile, and threatening, but always jagged, Black Host is as inscrutable an ensemble as there is, consisting of five well-established figures of advanced jazz. You May Also Like: Brandon Seabrook, with Cooper-Moore + Gerald Cleaver – ‘Exultations’ (2020) Brandon Seabrook, Cooper-Moore + Gerald Cleaver – ‘In the Swarm’Read More

Listening to single-take forty-plus minute group performances is not a casual affair, it’s embarking on an odyssey. You May Also Like: Peter Van Huffel’s Gorilla Mask – Iron Lung (2017) Matt Nelson, Tim Dahl, Nick Podgurski – GRID (2017)

No, these aren’t the guys who brought us the AM radio staples “Let’s Live for Today” and “Temptation Eyes” in the late 1960s-early 1970s. It’s a supergroup of hard working, highly regarded players in New York’s world class improvised scene You May Also Like: ‘Daisy Jones and the Six,’ byRead More

The Book Of Mæ’bul (Another Kind Of Sunrise) is the third in a series of what saxophonist Darius Jones calls the “sonic tone poem” in his life. You May Also Like: Trevor Dunn’s Trio-Convulsant – ‘Séances’ (2022) Chris Potter Circuits Trio – ‘Sunrise Reprise’ (2021)

Darius Jones might be the fastest rising star in the whack jazz world or at least, the fastest rising alto sax player within that realm. You May Also Like: David S. Ware & Matthew Shipp Duo – Live In Sant’Anna Arresi, 2004 (2016) How Rickie Lee Jones Fulfilled Her SteelyRead More

Going from unknown two years ago to co-leading a duet record with Matthew Shipp is a meteoric rise in the avant jazz world, much less any world, but that’s just what alto saxophonist has accomplished in this short time frame. You May Also Like: Matthew Shipp – Zero (2018) MatthewRead More