Yes, “America” from ‘Fragile’ (bonus track, 1971): YESterdays
Fans should seek out “America” in its many official versions, just to hear how Yes’ cover of this Simon and Garfunkel classic has progressed over time.
Fans should seek out “America” in its many official versions, just to hear how Yes’ cover of this Simon and Garfunkel classic has progressed over time.
‘Frampton Forgets the Words’ makes the argument that if he hadn’t become a star, Peter Frampton would have been better appreciated for his guitar work.
“Everydays” is a look forward to things to come, arrangement wise, through the main sequence of Yes albums.
Deborah and Pat Mastelotto’s ‘A Romantic’s Guide to King Crimson’ is a gorgeous record, all the more enjoyable for being unforeseen.
This Van Morrison favorite is a perfect fit for David Starr’s expressive boy-next-door voice and sympathetic arranging skills.
Billy Porter has released a new version of Stephen Stills’ classic “For What It’s Worth,” a Vietnam-era protest song that never feels dated. It’s predictably stirring.
Yes, it was bold, but this remake of “25 or 6 to 4” update ranks up there as one of my all-time favorite Chicago guilty pleasures.
Toto’s Leon Russell-inspired take on “It Takes a Lot to Laugh, It Takes a Train to Cry” is a fantastic end to an album which deserves a revisit.
Richard Turgeon’s energetic delivery of “22” is right in sync with its youth-obsessed theme.
‘A Tribute to Keith Emerson and Greg Lake’ once again opens doors of nice colors, better words, weird and interesting stuff, and quasi-intellectual ideas.