“Stripped” from The Song That Changed My Life Series from Duncan Sheik on Vimeo. Former 1990s one-hit-wonder Duncan Sheik blows up the sleepy atmospheres that doomed last summer’s Covers Eighties, pumping some new life into the upbeat numbers — but, even more interestingly, completely enlivening the slower songs. You MayRead More

The Queen of the Ukulele has returned to the fray with yet another captivating collection of songs! Not only does Sarah pack a wallop of wizardry on the stringed-instrument, but she also sings like an angel. You May Also Like: Sarah Gail Brand – ‘All Will Be Said, All toRead More

Cover albums are inherently risky, and quite frankly more than a little overdone of late. Leave it to Tangerine Dream to breathe new life into things You May Also Like: Desmond White, “Dream Girl” from Glace (2017): One Track Mind The Bangles, Dream Syndicate + Others – ‘3 X 4’Read More

As Steve Hackett prepares to release his second set of reimagined Genesis songs, following 1996’s Watcher of the Skies, it’s confession time You May Also Like: No related posts.

Rickie Lee Jones’ interpretations go far beyond reverence. It’s clear she’s lived with these songs for a long, long time.

*** STEELY DAN SUNDAY INDEX *** On Donald Fagen’s last album Morph The Cat, there’s a great tune on there where he’s imagining himself as a young man asking Ray Charles what makes him tick. You May Also Like: Donald Fagen, “Maxine” from ‘The Nightfly Live’ (2021): Steely Dan Sunday

There is a visceral power in these recordings, as the Keith Emerson Band performs within this orchestral torrent — blending the keyboardist’s long-held passions for rock and classical, finally, in the most complete of ways. You May Also Like: ‘Fanfare For the Uncommon Man: The Official Keith Emerson Tribute Concert’Read More

Whether you like the Beatles or not, their music can certainly take you to some interesting places — as reflected in our latest edition of Desert Island Discs. You May Also Like: No related posts.

From its vampy cover image to titles like “There Ain’t No Sweet Man that’s Worth the Salt of My Tears,” this album has the look and feel of a liberated woman pushing back — and hard — against convention. You May Also Like: Diana Krall’s Sweetly Erotic ‘Quiet Nights’ WasRead More

There was a time when reviving the delicate wonders of the Gershwins and Cole Porter represented the leading edge of vocal songcraft. You May Also Like: On Broadway: The Songs of Barry Mann and Cynthia Weil (2016)