Paul McCartney’s “Band on the Run” still represents the creative highpoint of his career away from the Beatles, nearly four decades later. So, to paraphrase a tune here, what’s the use in repackaging the thing again? Well, a brilliant remaster of the original tapes, which have always been a littleRead More

Here’s a free download of “A Trip To Lagos,” part of a new re-release package for Paul McCartney and Wings’ 1973 smash “Band on the Run,” set for Nov. 2. McCartney personally supervised all aspects of this new reissue, with remastering work was done at Abbey Road using the sameRead More

by S. Victor Aaron He looks like a young Keith Jarrett, even hums along to his piano lines a little like Jarrett, but Jacky Terrasson is defying straight comparisons to anybody. This 1993 winner of the Thelonious Monk competition can conjure the big, train-like sound of McCoy Tyner, the cerebralRead More

Like Christian Scott’s prior two albums, ‘Yesterday You Said Tomorrow’ is a jazz record that’s direct, deep and lives in the present.

If you look at the list of past winners and finalists of the Thelonious Monk International Jazz Competitions, it’s quite impressive: Aaron Parks, Marcus Strickland, John Ellis, Sam Yahel and Miles Okazaki, just to name a few. In 2008, the winner was an alto and tenor saxophonist from the PhilippinesRead More

by Pico Chicago’s own Ramsey Lewis is part of a surprisingly sturdy fraternity of major jazz pianists who first started making records more than half a century ago. Like Horace Silver, Cecil Taylor, Hank Jones, Ahmad Jamal and Paul Bley, Lewis’ resilient popularity comes from doing things he’s done forRead More

by Nick DeRiso Julian “Cannonball” Adderley, a spirited, bluesy and always fun performer, seemed to burst out from a series of early live recordings during a period when that was rare. In the late 1950s and early 1960s, there were just too many logistical nightmares, from getting good takes inRead More

by Pico One of the more amazing things about Pat Metheny has long been his ability to play music at it’s highest potential and, when the mood strikes him, make it entirely accessible at the same time. In that sense, he’s a modern day version of Louis Armstrong, who wasRead More

“The Tony Bennett/Bill Evans Album” remains, for me, one of the three or four most engrossing vocal jazz recordings — along with Sinatra’s Jobim collaboration, Ella performing with Satchmo and Nat “King” Cole’s “After Midnight.” But what made the initial Bennett/Evans project, and its follow up — 1976’s “Together Again”Read More