The range and scope of Ray Charles’ talent could never be contained within one genre, no matter its lasting joys.

Trumpeter Nicholas Payton may have begun his journey as part of the traditionalists in the early-1990s Young Lions movement, but he couldn’t have emerged any further afield. You May Also Like: Nicholas Payton – ‘Smoke Sessions’ (2021)

by Mark Saleski As record stores vanish, as more and more people get their music digitally, as the physical medium is phased out, well … honestly, I don’t know what the heck is going on out there. You May Also Like: Ella Fitzgerald, “Perdido” (1949): Appreciations Top 20 Versions ofRead More

These two Paul McCartney albums show a willingness to strip down what had become a varnished sound. But they haven’t aged in the same way.

Here’s a new song and video from the forthcoming remastered special edition of Paul McCartney‘s 1980 solo project McCartney II. A never-before-released track, “Blue Sway” will be part of the set’s bonus audio disc You May Also Like: No related posts.

To get you ready for the Concord Music Group’s deluxe June 14 reissue of Paul McCartney’s 1970 solo debut McCartney as well as 1980’s McCartney II, here’s a new remastered audio stream of “Coming Up” You May Also Like: Paul McCartney, “Check My Machine” (1980): One Track Mind

Paul Simon’s new record, his first since 2006’s dense Brian Eno-collaboration Surprise, is a career-spanning, sometimes duskily ruminative, quirk-splashed triumph — simultaneously bold in its constructions and timeless in its themes. You May Also Like: How ‘Paul Simon’ Set the Template for a Career of Dizzying Musical Exploration

by Nick DeRiso Forgive me if I thought this was going to be trumpeter Nicholas Payton’s further ruminations on the turbulent brilliance of Miles Davis’ Bitches Brew. Instead, Payton really means it. You May Also Like: Nicholas Payton – ‘Smoke Sessions’ (2021)

You expected the Cars, reformed without the late bass-playing vocalist Benjamin Orr, to come out with a sad song. Not a track called “Sad Song” that sounds anything but. You May Also Like: No related posts.

Photo by Mark Seliger by Nick DeRiso “The Afterlife,” featured on Paul Simon’s forthcoming album So Beautiful or So What, is pulsing and sinewy — almost like a lost track from Graceland. Not that there’s anything wrong with that. See, Simon has said the premise of this new recording wasRead More