Dear Diz doesn’t aim for the relentlessly daring intellect of Dizzy Gillespie’s small-band bebop sides, so much as the boisterous amiability associated with his globetrotting latter-day period You May Also Like: The Beatles, “Martha My Dear” from The White Album (1968): Deep Beatles Dizzy Gillespie and Friends – Concert ofRead More
In 1972, Albert King joined forces with some of the leading figures in the legendary Stax soul sound to create one of his most celebrated releases You May Also Like: No related posts.
Tab Benoit plays the blues with all of the natural fury, sweet romance and dark mysteries of Louisiana — so neatly matching his home state’s essence in structure and feel that it might be easy to call him the Bayou State’s Stevie Ray Vaughan. You May Also Like: No relatedRead More
Esperanza Spalding comes into this already boasting an impressive resume: flinty jazz bassist, carmel-voiced chanteuse, Grammy sensation. With Radio Music Society, she clearly hopes to add another line: Pop star. You May Also Like: Buggles’ ‘Video Killed the Radio Star’ Predicted the Music Industry’s Larger Shift
Trumpeter Nicholas Payton has announced a 90-day personal moratorium on using the word “jazz,” according to a new interview posted at MLive.com. “On March 7,” Payton says, “I’m definitely going to start using it again.” You May Also Like: Nicholas Payton – ‘Smoke Sessions’ (2021)
It’s yet another tribute to the singular artistry of Bill Evans, but this one has a special plot line: the drummer played for Evans in one era and the bassist played for him in another era. You May Also Like: Bill Evans – Another Time: The Hilversum Concert (2017) TheRead More
Recording a collection of well-known standards for the forthcoming Kisses on the Bottom, despite its cheeky title, was something of a challenge for Paul McCartney. You May Also Like: Why Paul McCartney’s ‘Kisses on the Bottom’ Was the Perfect LP at the Perfect Time Paul McCartney – ‘The Lyrics’ (2021):Read More
Otis Taylor has quickly become one of the most exciting and original voices in a genre badly in need of both.
Otis Taylor discusses the state of the blues, career intersections with Tommy Bolin and Gary Moore, and the banjo’s forgotten African-American legacy.
“My Valentine,” with a guest appearance by Eric Clapton, is one of two original compositions on Paul McCartney’s 2012 standards album.
