Robert Berry’s 3.2 – ‘Alive at ProgStock’ (2022)
Robert Berry’s 3.2 performance at ProgStock finds a comfortable home among the concept albums, side-long songs and quirky time signatures of old.
Robert Berry’s 3.2 performance at ProgStock finds a comfortable home among the concept albums, side-long songs and quirky time signatures of old.
It’s refreshing to hear this version of Aerosmith without the glitz and glam that they became known for later on.
Bob Dylan is back on the road. Nobody seemed happier about it during his tour-opening stop in Milwaukee than Bob himself.
This recently found live recording of Nektar is a wonderful time capsule from before their “future” ever needed to be “remembered.”
One might think that the Everly Brothers would try to make their show into a living jukebox, but almost the opposite occurred.
Live music was back, Anti-Mortem was back and, for at least a few hours, all was right with the world.
Tall Tall Trees’ terrific set for Heist TV made me look forward to a time when I can see live music again. For now, this will do just fine.
What makes Pink Floyd’s ‘Live at Knebworth 1990’ a truly special release is that the vinyl was cut at 45 RPM, making for a true audiophile experience.
Renaissance celebrates their 50th anniversary during a concert filled with resurrected beauty, symphonic-prog intellect, and a few ghosts.
It was Baltimore, on a hot September night, and Michael McDonald, on his second solo tour since the breakup of the Doobie Brothers.