Doc City’s new LP is about soul searching and contemplation, but it’s also an enjoyable listen with influences ranging from hip hop, R&B and jazz to gospel, soul and rock.

Issued 50 years ago this week, ‘Fresh’ lived up to its title as Eric Carmen and the Raspberries balanced radio-ready pop with muscled rock reflexes.

Filled with a fizzy sense of self-realization, Debbie Gifford’s ‘Changes’ is delivered with song-by-song twists that are uniquely her own.

‘Rides Again,’ released in July 1970, found Joe Walsh and the James Gang gorging on chunky chords but also visiting other musical dimensions.

Had this been Circus’ lone contribution they would still inspire awe – since “Stop Wait and Listen” is truly one of the greatest singles of all time.

Let’s face it, the criteria of what makes a good singer-songwriter record are usually straightforward: does the singer-songwriter sing well and two, does he sing good songs? You May Also Like: Tom Jones – yes, Tom Jones – is a Bob Dylan nut: ‘You can’t compare him to anybody else’Read More

Nabbing my vote as one of the finest contemporary bands to be had, Rainy Day Saints came barreling out of the gates with yet another electrifying disc. Logging in as the Cleveland, Ohio band’s fourth full-length album, All These Strange Ghosts basically picks up where their previous efforts left offRead More