While classical purists may be aghast, Avawaves’ ambient varient is enjoyable for those with open ears.

‘Time’ is a journey of discovery, not only in Jess Gillam’s mastery of her instrument but also in re-worked compositions.

Sky deftly bridged genres, including classical and rock, yet somehow their music has nearly disappeared from minds and playlists.

Released 25 years ago, Philip Glass’ ‘Low Symphony’ wasn’t a note-for-note David Bowie redo, but a brilliant borrowing of themes for inspiration.

Evanescence’s ‘Synthesis’ offers classical reworkings of some of the band’s most well-known songs – and a new track that brings the whole concept together.

Pete Townshend breaks down the Who’s individual strengths when it comes to recasting their music in an orchestral setting.

Here’s an exclusive stream of the Royal Philharmonic Orchestra’s collaboration with Gavin Harrison and Guthrie Govan on a King Crimson classic.

There is no small amount of blasphemy going on here.

The usual deal here is that I find and write about some music that can push people over the edge or even better, make them advance the argument that it’s not really music at all. You May Also Like: No related posts.

The name Krzysztof Penderecki indeed belongs to the film score hall of fame. His uber-creepy “Polymorphia” has been used in The Exorcist, The Shining, and more recently, 1993’s Fearless. You May Also Like: Radiohead Saw the Future With ‘OK Computer,’ Then Became It Tim Berne’s Science Friction [Marc Ducret, CraigRead More