When Ringo Starr recently announced that he wouldn’t be responding to any more fan mail, it occurred to me that he must be completely unaware of the disastrous foibles he’s unleashed on a loving but ultimately unwitting fanbase. Certainly likeable (at one time, anyway), Starr was and is a drive-byRead More

What better way to spend Halloween than with (as it’s lovingly referred to in the liner notes) “this thing“? “The Torture Never Stops” — a 24-song, two-hour blast of almost indescribably brilliant/crazy rock from an Oct. 31, 1981 concert by the equally brilliant/crazy Frank Zappa — affords us a uniqueRead More

That classic album rock group Heart never really left us, but lately the Wilson sisters have reconnected with what made it such a great band back in the seventies. The vintage sounding all-new CD Jupiters Darling (2004) and last year’s live DVD Dreamboat Annie Live meant that the “old” Heart—notRead More

You’re to be forgiven — even if you were there — for missing this one. Seems, because of lengthy set overruns by the bands that preceded them, the Who didn’t take the stage at the 1970 Isle of Wight Festival until the no-kidding hour of 3 a.m. (The bill thatRead More

Missing in the eternal argument embodied in their 1970s lyric — Which one’s Pink? — was my idea that it was neither Roger Waters nor David Gilmour. Maybe there would have been no Pink Floyd, not really, without Richard Wright. That’s what I hear in “Live at Gdansk” with GilmourRead More

Remembering Pink Floyd’s often-overlooked co-founding keyboardist Richard Wright.

Lodged toward the end of a nostalgic song cycle that attempts (with varying degrees of success) to recreate the soaring pop music of his California youth, Brian Wilson offers a moment of naked, welcome honesty. On “Midnight’s Another Day,” away from the florid orchestrations and dense backing vocals associated withRead More

Long before I was able to digest the epic, twenty-five minute meandering noodlings of Dicky Betts and Duane Allman, I deeply dug the Allman Brothers’ “Melissa.” It’s a wistful, country-flavored ballad that was easy to learn how to play on a beat-up Yamaha acoustic guitar, and since it was oneRead More

by S. Victor Aaron Last month Al Green released a new album, Lay It Down, which I’d recommend to any fan of pure, old-school soul. Later this month Chicago’s Stone Of Sisyphus, originally record in 1993, will finally be officially released. But twenty years even before that was taped, bothRead More

Less anthematic, in the way of his work with The Who, than it is reflective and frank, Pete Townshend convincingly argues the case for middle-aged rock with “Slit Skirts.” That the gap between the extroversion of his band recordings and the smaller joys of his solo stuff was already disappearingRead More