The Five Songs That Help Define Chicago’s Gutsiest Album
‘Chicago III’ arrived 55 years ago this week as their third consecutive double album in less than two years. Yet Chicago was somehow still pushing the musical envelope.
‘Chicago III’ arrived 55 years ago this week as their third consecutive double album in less than two years. Yet Chicago was somehow still pushing the musical envelope.
Jay Nachman discusses ‘Graham Parker’s Howlin’ Wind’ with Charlie Ricci, with a couple of remarks from the great rocker himself.
They dealt with internal strife, drugs and health issues but nothing could keep the Beach Boys – and Brian Wilson – from the pantheon of pop music gods.
I’ve always been a fan of Peter Paul and Mary, but we have to talk about Peter Yarrow’s disgusting, criminal acts.
Louis Armstrong’s ‘Louis In London: Live at the BBC’ is a can’t-miss LP from someone who probably did more than anyone else to popularize both the trumpet and jazz music.
The gold-selling ‘Chicago 13’ nearly cracked the Billboard Top 20 after arriving 45 years ago – but something was very wrong.
The few who heard him described Sterling Harrison’s music as “deep soul,” with a voice that conjured up aural images of Otis Redding and Wilson Pickett.
Billy Joel’s last album of pop-rock music was 1993’s mediocre ‘River of Dreams,’ but this single shows there is still talent burning.
Philip Norman’s ‘George Harrison: The Reluctant Beatle’ is a fine book, even if it’s not the best Beatles biography ever written.
Decades later, the Beatles’ uncanny penchant for composing easily hummable melodies remains in full bloom.