by Nick DeRiso Taking on Nina Simone, a singer of dusky persuasiveness, might be foolhardy enough. Remaking this song, a Top 20 pop hit off Simone’s celebrated 1958 debut Little Girl Blue seemed like the worst idea of all. But Canadian singer Kellylee Evans finds a new light, even ifRead More

by S. Victor Aaron “If that guy hits you, I’m not stopping to help you!” “Come on, people, MOVE!!!” “Get your @#$% out of my way!” My wife, God love her, gets a little impatient with her fellow motorists and often has these one-sided conversations with them from behind theRead More

by S. Victor Aaron “Catalyst” is not just the name of the album, it’s also the name of the band sax/flute player King leads, and this is their debut album. This band which features King, Luis Deniz (saxes), David Braid (piano and keyboards), Rich Brown (bass), Joel Haynes (drums), haveRead More

by S. Victor Aaron Here’s the setup: a successful real estate tycoon suddenly decides to revisit his original passion, music, and pulls in three of Canada’s most prestigious jazz musicians and a top-notch producer to make his first record, one full of done-to-death standards. And you’re thinking, this is probablyRead More

by S. Victor Aaron The master tenor sax player Ralph Bowen has been around for quite a while, releasing his first album back in 1992. But plum sideman opportunities and a teaching gig at Rutgers has kept him plenty busy; it only been the last three or so years thatRead More

Photo: Juan-Carlos Hernandez by S. Victor Aaron In my humble opinion, it’s not the improvised (aka “whack”) jazz that seems toughest to compose and render, nor is it the more mellifluous but intricate modern jazz. Rather, it’s the the kind of jazz that successfully combines both approaches. To me, it’sRead More

by S. Victor Aaron They say that writing about music is like dancing about architecture, and if that’s true, then writing about whack jazz can be more like swimming about psychiatry. Often, you can’t describe a melodic or rhythmic structure because there are none. Saying so-and-so sounds like some otherRead More

A little more than a month ago I covered a self-released album by a Vancouver, British Columbia-based jazz-pop vocalist by the name of Heidi McCurdy. Heidi’s music is a prime example of the great singing and composing talent out there still unsigned and undiscovered by a record company. Fickle MindRead More