When Brandon Seabrook does a solo banjo and guitar project as he did with ‘Object of Unknown Function,’ there’s even more of his uniqueness to ponder, appreciate and – yes – enjoy.

Musicians capable of anything deserve to play in a setting where anything goes. Thankfully, Tomas Fujiwara is allowing us to hear that with ‘March On.’

Brandon Seabrook never undertakes paths chosen by others, but rarely has he had such willing and able partners in crime to carry out his scintillating eccentricities as Gerald Clever and Cooper-Moore.

Tomas Fujiwara’s twin trios double the chops and double the fun with the welcome Triple Double followup, ‘March.’

Never being in the same place at the same time, Three-Layer Cake’s Brandon Seabrook, Mike Pride, Mike Watt were somehow able to mold strongly peculiar music that fits together to form a weirdly cohesive whole ‘Stove Top.’

You never know what to expect from a new Brandon Seabrook album, aside from that it’s guaranteed to be way outside the bounds of normal. ‘Exultations’ is certainly that.

Here is S. Victor Aaron’s Best of 2018 list for avant garde jazz and experimental music, including releases by Wendy Eisenberg, Brandon Seabrook, David Dominique and others.

The way a chamber string trio is being used by the Brandon Seabrook Trio for ‘Convulsionaries’ is bonafide wack. It’s akin to G.G. Allin hosting ‘Masterpiece Theater.’

Here’s the part of the annual Best of 2017 lists that’s the most fun to pull together.

Vinnie Sperrazza and his audacious crew once again stretch jazz across multiple red lines and force people to rethink what defines that idiom.