One Track Mind: Bob Dylan, “Full Moon and Open Arms” (2014)
It may be a Sinatra song, but Dylan sticks close to his more recent sound.
It may be a Sinatra song, but Dylan sticks close to his more recent sound.
Dylan proceeded to pull out a series of songs that, truth be told, didn’t appeal to the future leader of the Band.
“Sweet Amarillo” brings Old Crow Medicine Show back to their roots, while reminding us of what country music used to be – and what it could be again.
Bob Dylan’s “Don’t Think Twice,” with its sad acceptance of life’s strange twists set to a plucky finger-picked cadence, always seemed well suited for a country-music makeover. You May Also Like: Bob Dylan, “The Night We Called It a Day” from Shadows in the Night (2015): One Track Mind BobRead More
Charlie Daniels’ one of country music’s best-known outlaws, found a kindred spirit in Bob Dylan — a rebel who, Daniels says, refused “to do anything except what he felt like he did best.” They only met, however, because another sessions guitarist couldn’t make it. You May Also Like: Mark KnopflerRead More
It was the best of times, it was the worst of times. It was the age of waning religious zeal and disco experimentation, the epoch of brilliant outtakes like “Blind Willie McTell” and lackluster releases like Down in the Groove. You May Also Like: Mark Knopfler credits Bob Dylan forRead More
Bob Dylan’s career, brimming as it is with enough unreleased tracks to make ordinary songwriters blush, has often puzzled both fans and critics alike. At times, there appears to be no rhyme or reason to his decisions regarding which of composition to release and which to leave in the can.Read More
Benmont Tench had seen success with Tom Petty, had been part of several hits. Then came a memorable session with Bob Dylan.
Al Kooper’s task, in reminding us of the towering genius possessed by his late friend Mike Bloomfield, wasn’t in finding dusty unheard tracks for From His Head to His Heart to His Hands. When it comes to Bloomfield, who overdosed at just 37 in 1981, the likelihood is that almostRead More
Bob Dylan, at Robbie Robertson’s urging, handed one of his most famous songs off to Otis Redding in the hopes that he would do his own Stax-ified version of it. Things didn’t quite work out that way, however. You May Also Like: Otis Redding’s “Dock of the Bay” emerged outRead More