Steve Miller says his next album will be “a really interesting thing” where the classic rocker combines jazz instrumentals with blues lyrics. You May Also Like: Ryan A. Miller – ‘Atrophy Torque Fly’ (2018) Adam Miller – ‘Unify’ (2020)

It would be easy enough to tag this as Southern rock, or as blues, or even — at times — as gospel, were Randall Bramblett’s The Bright Spots not so consistently all of those things, and something more. You May Also Like: Sea Level, “That’s Your Secret” (1977): One TrackRead More

The standard-bearing harp influence of Walter Jacobs — he established the vocabulary still used by nearly every amplified modern player — is well documented. This guest-packed concert tribute reminds you of his composing prowess, too. You May Also Like: Little Walter – The Blues World of Little Walter (1988): ForgottenRead More

Michael McDonald’s “Judgement Day” has a ballsy gumption that his smoothed-out pop hits and plasticine Motown remakes scarcely aspire to.

James Cotton has long referred to his regular working band as “my family,” so close is their sense of musical symbiosis, so long is their history. Still, to my ear, he’s never put out a more personal album than the forthcoming Cotton Mouth Man. You May Also Like: James Cotton,Read More

From its band name –– which sounds like a something off the front porch of a shotgun shack — to its muscular, harp-driven opening track, you’d be forgiven for assuming Gator and Mudcat’s Back in the Game was just another blues-rocking project. You May Also Like: Tom Petty and theRead More

Some magic was bound to surround this, as Jimmy Vivino reunited with long-time former collaborators for the first time in years.

A fiery aggression surrounds Universal Breakdown Blues, as Popa Chubby doesn’t lament the dangerous and uncertain era in which we live so much as rail against it with all of his might. You May Also Like: Chubby Tavares, “Gotta Get Back to You” (2018): One Track Mind Greg ‘Stackhouse’ PrevostRead More

Beth Hart, a raw and dynamic singer, has joined forces once again with guitarist Joe Bonamassa — and, as with 2011’s Don’t Explain, this collaboration brings out the best in both. You May Also Like: Beth Hart, “Might As Well Smile” from Better Than Home (2015): One Track Mind BethRead More

The title track from If The River Was Whiskey, the first album of new material from 1990s radio-darlings the Spin Doctors since 2005, scuffs up the hitmaking formula for familiar songs like “Little Miss Can’t be Wrong” with a snarling city-blues vibe. You May Also Like: “Dimebag” Darrell Abbott, “WhiskeyRead More