Billy Branch, a fire-kissed harp-playing protegé of blues great Willie Dixon, took some 15 years between studio recordings — and not because of some lack of creative impetus. Instead, Branch was waiting for a new sound to come together. You May Also Like: Mumford and Sons, “Believe” from Wilder MindRead More

Damon Fowler’s career was hardly in need of enlivening. This is a guy who, over the past few years, has not only been unleashing his own rootsy blues-rock outings but has also co-founded the good-time dixie-groove Southern Hospitality band. You May Also Like: Eri Yamamoto, Chad Fowler, William Parker +Read More

Roosevelt Sykes is due for a hipster reevaluation. Ever adaptable, there’s something for every fan of roots music to be found in this pianist’s incredibly varied repertoire. You May Also Like: Mick Abrahams, of Jethro Tull: Something Else! Interview Cash Box Kings – Holding Court (2015)

The standard-bearing harp influence of Walter Jacobs — he established the vocabulary still used by nearly every amplified modern player — is well documented. This guest-packed concert tribute reminds you of his composing prowess, too. You May Also Like: Little Walter – The Blues World of Little Walter (1988): ForgottenRead More

One part Allman Brothers, one part Levon Helm, and one part Howlin’ Wolf, Southern Hospitality is a jam band, a blues band, and a roots band — sometimes all inside of one knee-slapping throwback tune. You May Also Like: Doobie Brothers – ‘Livin’ on the Fault Line’ (1977): On SecondRead More

The Cash Box Kings reanimate that moment when popular music — both black and white — began to coalesce into the rock ‘n’ roll aesthetic. It’s loud music, fun music, occasionally delving into darker themes, but possessing an impetuous, undeniable rhythm. You May Also Like: Cash Box Kings – HoldingRead More

Craig Chaquico joins us to talk about key moments from Jefferson Starship and his solo career, including his take on the Albert King-via-Cream classic “Born Under a Bad Sign” from the guitarist’s newly released debut for Blind Pig. We also touch on memorable hits like 1978’s “Count On Me,” 1979’sRead More

Fire Red Moon is neither the arena rock of Craig Chaquico’s days with Jefferson Starship, nor the chart-topping smooth jazz that he initially turned to as a solo artist. It’s something grittier, more primordial — and utterly surprising. You May Also Like: Jefferson Starship, “Find Your Way Back” from ModernRead More