Pridgen plays tricky odd-metered rhythms, Laswell’s formidable bass sets the parameters for the melody and Sopko goes balls-out free to push over the ledge a performance already on the edge.

Animation’s ‘Machine Language,’ a final gift from Bob Belden, leaves no doubt that his adventurous spirit lives on. Hopefully, forever.

Here is a review of ‘The Process’ by Bill Laswell, Chad Smith and Jon Batiste, a meeting of the minds of master musicians who hadn’t previously met.

OK, so I read a (somewhat long-winded) review of the William S. Burroughs bio “Call Me Burroughs: A Life,” and dammit, it’s looking like I’ve got to place it on top of my to-be-read pile. Do I really need to dive into over 700 pages on the mad genius? TheRead More

Oslo-based UK expatriate Roy Powell refuses to believe that prog-fusion has run its course, and it’s clear from his recorded work that he’s dedicated his musical career challenging that notion. You May Also Like: Mumpbeak – Tooth (2017)

Bob Belden has been in the thick of major jazz recordings issued or reissued in the last quarter century, but his name has rarely been presented in large, bright fonts. You May Also Like: Miles Davis’ ‘Bitches Brew’ Broke Every Rule: ‘An Art Form Unto Itself’

The Official™ SomethingElse! year-ending Top 10 list requires two or more of us to be in agreement as we gathered around the watercooler. It’s no easy task.

There are records that are frankly too loud to be jazz, and swing too much to be rock. This is the slot for those things — a place where you’ll find everyone from Tony Levin and Derek Sherinian from Black Country Communion to Nels Cline and Bill Frisell. Click throughRead More

The music of Raoul Bjorkenheim, Bill Laswell and Morgan Agren is just as interesting for what it does as what it doesn’t do

Ginger Baker’s all-too-brief ‘Horses & Trees’ was fusion in the most complete sense of the word.