Soft Machine is a living musical equation that continues to evolve, while cradling a nest in the cathedral melodies of Canterbury city.

The new album from Philip Seth Campbell, gravel-voiced lead singer for Scotland’s excellent Temperance Movement, rekindles any lost love for rock ‘n’ roll.

With ‘Excuse Me While I Vanish,’ William the Conqueror has created a red-hot guitar sermon with good old-fashioned rock-trio insight.

With its genre-defying songs, Joshua Burnell’s ‘Glass Knight’ returns us to a time when folk, pop and rock blended into a clever tapestry.

Fans of bands rooted in Beatlemania will find a lot to love in the clever grooves of the late Klas Qvist’s ‘Citizen K III.’

Witch’s long-awaited ‘Zango’ is a lovely and melodic resurrection that prays, thankfully, with the passion of an always generous universal soul.

Adrian Belew has worked with Frank Zappa, the Talking Heads, the (wonderful!) Bears and, of course, with King Crimson – but this is his one-man show.

A re-imagined and expanded update of Tomorrow’s classic debut from stalwart Yes guitarist Steve Howe toughens their psych-rock groove.

To almost quote the great Nick Lowe, the new album from Agony Street is Pure Pop for Always Now People.

Prog Collective’s ‘Seeking Peace’ wobbles and rolls through melodic twists and turns, avoiding many of the current cliches of neo-progressive rock.