Arthur Brown, David Sancious + Others – ‘A Tribute to Keith Emerson and Greg Lake’ (2020)
‘A Tribute to Keith Emerson and Greg Lake’ once again opens doors of nice colors, better words, weird and interesting stuff, and quasi-intellectual ideas.
Post Tagged with: "Bill Golembeski"
David Sancious – ‘Eyes Wide Open’ (2020)
Ex-E Street Band member David Sancious’ ‘Eyes Wide Open’ is a wondrous hybrid that infuses funk, pop, rock, blues, jazz and prog with a social conscience.
Mangala Vallis – ‘Voices’ (2020)
This isn’t neo-prog. Instead, Mangala Vallis propel the music forward with a vital, condensed and nuanced sound on ‘Voices.’
David Cross and Peter Banks – ‘Crossover’ (2020)
David Cross and an all-star cast of King Crimson and Yes alumni build something brilliant from a collaboration with the late Peter Banks.
Bill Bruford’s Earthworks – ‘Heavenly Bodies: Expanded Collection’ (2019)
If this Bill Bruford compilation took an Ancestry DNA test, the results would point to an old Soft Machine song: It feels, it reels and it squeals.
Udo Pannekeet – ‘Electric Regions’ (2019)
Udo Pannekeet’s wondrous ‘Electric Regions’ is rock; it’s jazz – and then it’s everything in between.
Fernando Perdomo – ‘The Crimson Guitar: A Tribute to King Crimson’ (2019)
Fernando Perdomo lights votive acoustic-guitar devotion to the music of early King Crimson.
Kaprekar’s Constant – ‘Depth of Field’ (2019)
The second album by Kaprekar’s Constant requires a patient listen, but it eventually reveals so much beauty.
Bent Knee – ‘You Know What I Mean’ (2019)
Just like Joseph from the Bible, Bent Knee’s ‘You Know What They Mean’ has a coat of many colors.
Anthony Phillips – ‘Strings of Light’ (2019)
I always associate Anthony Phillips records with the fall. ‘Strings of Light,’ his first new album in seven years, is no different.
