John Zorn’s Masada is an interesting group. The way I’ve come to describe them is “Ornette Coleman-listens-to-klezmer.” While that’s not the only way to get there, it’ll do. You May Also Like: How ‘Wish’ Scuffed Up Joshua Redman’s Initial Melodicism Why You Should Give Pat Metheny’s ‘Rejoicing’ Another Listen

by Mark Saleski Big ears: usually a none-too-nice description of some poor kid on the elementary school playground. In the jazz world, “big ears” is a good thing. You May Also Like: Bill Frisell’s Timeless ‘Live’ Opened Up a New Musical World for Me Bill Frisell – Music IS (2018)Read More

by Tom Johnson My favorite guitarist released, at long last, his second live album in 2005. How a guitarist this amazing and talented had gone so long between live releases is beyond me. Whereas his first live album, the intriguingly titled Live, captured Frisell at the peak of his noisyRead More

by Tom Johnson My first real exposure to jazz was either John Coltrane’s Sun Ship or this. Time has erased the gap between the two, but it matters little. Either way, I was in way over my head. I bought both in quick succession, but found Sun Ship simply wayRead More

by Tom Johnson This trio is basically Bill Frisell’s home away from home, it seems. If he’s not putting out his own solo album, it seems like you can almost count on something from this trio sooner or later, where he indulges his more straight-ahead jazz tendencies. The joy inRead More

By Tom Johnson I spent most of the morning flipping between one disc and the next, restless for something that actually fit my mood. I just didn’t want to, you know, as they say, deal and nothing particularly appealed to me. On days like this, I tend to gather upRead More

by Mark Saleski You wouldn’t suppose that most musicians would look favorably upon being compared to an old pile of rocks. How about an old, organized pile of rocks? You May Also Like: Paul Bley, Gary Peacock + Paul Motian – ‘When Will The Blues Leave’ (1999, rel. 2019) BillRead More

by Tom Johnson Bill Frisell has become one of the most easily recognizable guitarists in jazz, and it’s not without an effort to incorporate himself into as many styles as one person could in a lifetime. Few guitarists in any genre could pull off the feat of having played inRead More

Pardon me as I continue on the topic of Bill Frisell The Sideman on an interpretation of a Miles Davis fusion deep cut You May Also Like: Bill Frisell’s Timeless ‘Live’ Opened Up a New Musical World for Me Cuong Vu 4Tet with Bill Frisell – Ballet (2017) Bill FrisellRead More

Some time ago…two years and three months ago to be more precise…we raved on the double-bass mastery of the Norwegian ECM Records mainstay Arild Andersen, and noted then that he “may not be the first name that comes up when one thinks of the greatest living acoustic bassists, but he’sRead More