Inspired by Susan Alcorn’s pedal steel guitar, ‘Away With You’ keeps Mary Halvorson’s idiosyncratic ideas fresh and pushes forward her boundless conception of jazz on the frontier.

Dolphy Formations is another stop on Aram Bajakian’s fascinating musical odyssey, and who knows where it will take him next.

‘Row For William O.’ reveals bassist Michael Bisio to be a great master because he is first and foremost such a good student.

Maybe it’s time for people other than Roscoe Mitchell to pay more attention to this wildly creative drummer by the name of Kikanju Baku.

Jaimeo Brown and Chris Sholar are able to make sense of traditional work songs from the American South and all corners of the world all and place it in the context of the present.

As a subversive within the musical realm, Aram Bajakian connected with a subversive director and like the film, effectively said much without any words at all.

Over the years since Lou Reed released ‘Metal Machine Music’ in July 1975, many others have followed him into noise, distortion and atonality.

Here is a review of the Ghost of a Saber Tooth Tiger’s Tim Kuhl’s latest project, ‘1982,’ an alternately soothing and moderately disquieting record.

‘Dance Me This’ is diverse in its content and genre references, outer-worldly, edgy and, OK, a little bit weird. Just like Frank Zappa.

“Pachuco Cadaver,” which arrived this week in 1969 as part of Captain Beefheart’s ‘Trout Mask Replica,’ is some pretty bizarre stuff. But I love it.