Anteloper’s ‘Kudu’ suggests that there is so much art waiting to be tapped with only a trumpet, drums and a little bit of circuitry.

One can’t help to think that Steve Lacy would have loved the originality Ben Goldberg and Michael Coleman brought to these personal expressions of his.

The term “code girl” came randomly out of the mouth of Halvorson’s primary mentor Anthony Braxton but it could have easily been directed at Halvorson herself

It gets harder to be artful in an original way in these days, but Logan Hone and his quirky quartet does it and does it well.

The new album by Roberto Maria Zorzi, Michael Manring and Scott Amendola relentlessly delivers surprises with sounds heretofore unheard.

After a long fermenting period, Roscoe Mitchell and Matthew Shipp’s ‘Accelerated Projection’ is nevertheless just as relevant today as it did when the music was pulled from thin air more than twelve years before release.

None of the great talent assembled here gets stretched near their limits for this Desertion Trio excursion, but this diversion is for an altogether different mood.

Here’s the part of the annual Best of 2017 lists that’s the most fun to pull together.

‘Err Guitar’ by Elliott Sharp, Mary Halvorson and Marc Ribot is three masters of the outside guitar pushing each other to go even further out, making this a notably delirious entry in the catalogs of all three.

feature photo: Bryan Murray Now boasting a remarkable ten albums over twenty years, Satoko Fujii Orchestra New York today takes another step forward with Fukushima (Libra Records), the first new recordings from Satoko Fujii’s American large ensemble project since 2014’s Shiki. The best big band leaders know how to exploitRead More