Wendy Eisenberg is elbowing her way to the vanguard of guitarists who radically rethink the guitar as Machinic Unconscious Trio proves that she can shine in the company of New York’s best.

Ryan A. Miller’s ‘Atrophy Torque Fly’ thrives in its uniqueness.

David Dominique shows a creative zeal for using traditional jazz as a springboard into the abyss, much as Mingus, Kirk and Lacy did.

The way a chamber string trio is being used by the Brandon Seabrook Trio for ‘Convulsionaries’ is bonafide wack. It’s akin to G.G. Allin hosting ‘Masterpiece Theater.’

The fourth Frequency Response release from Tom Abbs could well be his last for a long time; the man’s got things to do. If that’s the case, it’s all the more reason to savor ‘Hawthorne.’

Ivo Perelman, that endless fountain for saxophone phraseology, is finally slowing down.

The word ‘Mahobin’ means ‘thermos bottle’ but also ‘magic bottle’ in Japanese, and the magic made for ‘Live at Big Apple in Kobe’ that retained its passion throughout meant that this fledgling group had lived up to both meanings of the name.

The Satoko Fujii Orchestra Berlin really comes onto its own with ‘Ninety-Nine Years.’

Whether it’s individual heroics or wonderful ensemble symmetry, ‘Rhapsody’ begins with the mind of Bobby Previte. He not only had a concept but saw it to a fully developed work that stays true to its mission and articulated it well.

Satoko Fujii’s newest combo is This Is It! and their debut album ‘1538’ can’t get much closer to improvisational music perfection.