The James Brandon Lewis Quartet is an eminent ensemble for a number of good reasons and every one of those reasons can be found on ‘Abstraction Is Deliverance.’

Nothing brings out the true character of virtuosic musicians Aruán Ortiz and Ramón López like the ‘Ephemeral Shapes’ improvisation sessions with Ivo Perelman.

James Brandon Lewis’ quartet albums showcase other sides of his advanced artistry and that heavyweight band. ‘Transfiguration’ is jazz soul music of the highest order.

James Brandon Lewis typically alters his approach from album to album but with his forceful new quartet, the second go-around ‘Code of Being’ is not a bad idea at all.

‘Molecular’ uses the double helix DNA component structure as a compass to guide James Brandon Lewis’ own harmonic map.

Aruan Ortiz’s bold new conception for Afro-Cuban jazz continues by delving deeper into the rhythmic patterns and turning them inside-out.

While the tactics might be altered for each time out, Aruán Ortiz’s sophisticated, ultra-modern style of composing, arranging and improvising emerges each time.

In the jazz world, I’ve found that the long-established artists, especially the ones who play in the well-established styles, get the bulk of the buzz.

Here we are only halfway done with 2012 and it’s already been a bangin’ year for modern and mainstream jazz, whether you prefer a celebration of the tradition or an expansion of the frontiers. You May Also Like: Ethan Keller wants to release FIVE albums this year…but needs your help!

The brilliant pianist from Cuba Aruán Ortiz made a strong positive impression to anyone who paid attention to his 2010 release Alameda, a sophisticated outing of modern jazz that eludes adequate comparisons. You May Also Like: Aruan Ortiz, with Andrew Cyrille + Mauricio Herrera – ‘Inside Rhythmic Falls’ (2020) JamesRead More