Before ‘One More Drifter’ arrived 15 years ago today, I couldn’t have imagined that Aimee Mann would do a Christmas album – or that I would love it so much.

Aimee Mann angered some fans 10 years go by focusing on keyboard-equipped instruments for the electric guitar-free ‘@#%&*! Smilers.’ Not me.

If you were wondering how the perennially circumspect Aimee Mann came to be in a band called the Both with riffy indie-rocker Ted Leo, look no further than the aptly titled “Milwaukee” from their forthcoming eponymous debut. You May Also Like: The Only Thing That Disappointed Me About Aimee Mann’sRead More

If there’s a knock on Aimee Mann, and I’m not sure I buy this, it’s that the singer-songwriter’s albums haven’t always done enough musically to properly feature her mood-setting lyrical complexity. Charmer certainly answers the criticism head on. You May Also Like: The Only Thing That Disappointed Me About AimeeRead More

Taj Mahal, recording as part of the 30th annual John Lennon Tribute at the Beacon Theatre in New York City, finds the chest-bursting peril, the nakedly emotional plea, inside “Come Together” You May Also Like: Taj Mahal and Keb’ Mo’ – Tajmo (2017)

by Tom Johnson Aimee Mann, the former ‘Til Tuesday frontwoman, turned in yet another amazing performance, this time in the form of a concept album centered on boxing as a metaphor for relationships. Or something like that. It doesn’t really matter; what matters was that Mann’s songcraft is once againRead More

A very brave record, in that all ‘Til Tuesday had to do was stick with the sleek pop of the day and cash the checks.