The Beatles’ ‘Abbey Road’ and Prog Rock: Reprises & Recapitulations
Mike Tiano explores the wide-open spaces created for progressive rock inside the Beatles’ ‘Abbey Road.’
Mike Tiano explores the wide-open spaces created for progressive rock inside the Beatles’ ‘Abbey Road.’
“I Want You (She’s So Heavy)” is both the last time all four Beatles were in the studio, and their last breakthrough.
Released on Sept. 26, 1969, the Beatles’ ‘Abbey Road’ held many collaborative surprises. But I just couldn’t get over its Side One ending.
‘Abbey Road’ was simultaneously the Beatles at their best, and the sound of a band disintegrating.
Concluding our walk through the Abbey Road medley is the brief, secret coda “Her Majesty.” At only 23 seconds, it stands as the shortest song in the Beatles catalog. You May Also Like: The Beatles’ Abbey Road wasn’t just a showcase for Paul McCartney The Beatles, “I Want You (She’sRead More
“The End” serves as more than a mere final track on the Beatles’ 1969 album ‘Abbey Road.’
Anyone wanting to know the state of the Beatles at that time need only listen to this song.
One of the most tender and moving sections of the Beatles’ ‘Abbey Road’ medley, “Golden Slumbers” features Paul McCartney at his best.
The next entry in the Abbey Road medley continues the naughtiness of “Polythene Pam.” You May Also Like: The Beatles’ Abbey Road wasn’t just a showcase for Paul McCartney The Beatles, “I Want You (She’s So Heavy)” from Abbey Road (1969): Deep Beatles
As a side note, unlike past columns, this edition of Deep Beatles may need a PG-13 rating, due to the song’s backstory.