Kuzu – ‘Purple Dark Opal’ (2020)
Dave Rempis, Tashi Dorji and Tyler Damon continue to draw heavily from their experimental/improvised music backgrounds, letting everything else in Kuzu rest on instinct.
Dave Rempis, Tashi Dorji and Tyler Damon continue to draw heavily from their experimental/improvised music backgrounds, letting everything else in Kuzu rest on instinct.
‘Our Place On the Wheel’ is Ross Hammond still in full-on rural mode, only this time with some really good help.
Here is the streaming premiere of “Batida” by the re-formed Chicago Underground Quartet.
Satoko Fujii doesn’t play an instrument in her orchestra; she conducts it. Still, there is hardly a more accurate manifestation of her genius artistry.
On his third album ‘Reality Check,’ pianist Theo Hill is advancing his craft forcefully, a positive sign of creative restlessness.
Dan Rosenboom’s ‘Absurd In the Anthropocene’ is the right mixture of the past and future, acoustic and electric, familiar and exotic.
Here is the video premiere of “Weeping Mary” by the Westerlies, from their upcoming album ‘Wherein Lies the Good.’
The Wood Brothers always opt for timeless themes and methods, and never more so than on ‘Kingdom In My Mind.’ This record satisfies the soul today and will satisfy the soul just as well many years from now.
Cobbling together something new from things old is not a Jeff Parker invention. But his unique take on this approach makes ‘Suite For Max Brown’ so much more accessible.
It’s clear how Gordon Grdina?’s Nomad Trio got their name: They wander without a clear map through vast musical terrain few can even attempt, and make it to the other side unscathed.