Kaze + Ikue Mori – ‘Sand Storm’ (2020)
Satoko Fujii and Natsuki Tamura always have something new to say in part because they are so open to allowing new musical personalities to disrupt an existing chemistry.
Satoko Fujii and Natsuki Tamura always have something new to say in part because they are so open to allowing new musical personalities to disrupt an existing chemistry.
Bob James’ ‘Once Upon a Time’ helps to complete our understanding of an artist far more adventurous than his popular works come close to suggesting.
Here is the video premiere of saxophonist Max Bessesen’s “Mayhem,” from his upcoming album ‘Trouble.’
Hervé Perez’s ‘PLGD’ is made for ears thirsty for completely new sounds, even for those ears who think they’ve heard it all.
Music has always been a pick-me-up elixir, and the new Matt Wilson album arrives just in time. Right now, we can all use a ‘Hug!’
The refreshingly direct, melodic and consistently satisfying ‘Unify’ should put Adam Miller on any guitar enthusiast’s radar screen.
This is a significant addition to both Arcado String Trio’s limited catalog and Ivo Perelman’s massive one.
Even if you’ve listened to Howlin’ Wolf’s “Killing Floor” a thousand times, the experience isn’t complete without hearing ElectroBluesSociety tackle it with Boo Boo Davis.
I’m not sure if there is such a music idiom as “neo-yacht rock” but if there is, Young Gun Silver Fox would surely be at the top of that heap.
Paul de Jong has gumption of cellist Tom Cora, while Harrison Bankhead boasts the savvy of Charles Mingus. It’s all spontaneously on display on ‘Freedom.’