Veteran drummer and novice record label entrepreneur Whit Dickey finds ways to keep things fresh, this time with a new trio for ‘Expanding Light.’

By applying today’s sound processing technology to hand-made music that was conceived instantly, Adam Rudolph magnifies the exotic musical concepts of himself and his longtime partners and collaborators Hamid Drake and Ralph M. Jones.

With Neil Podgurski and Brian Settles by Chad Taylor’s side, ‘The Daily Biological’ manages to cover a lot of fertile ground found in Taylor’s artistry.

With the sympathetic backing of ElectroBluesSociety, ‘Chicago Blues Covers’ fans the blues flame like only Boo Boo Davis can do it.

Aaron Parks has the songwriting and playing chops to make a solid jazz record whenever he wants to. This time, he went beyond that realm.

For this festival set performed in Italy ‘Live In Florence,’ Otomo Yoshihide, his guitar and his turntables match wits with Chris Pitsiokos with his alto saxophone and his electronics.

The John Scofield Trio’s ‘Swallow Tales’ shows that Steve Swallow songs are the sound of quality modern jazz, even with a small band playing in no-nonsense bop style.

Christopher Bono’s ‘Nous III” is infused with such a long list of idiom influences – from post-rock and ambient to Neo-Shamanism and free jazz – that it defies classification.

Seth Walker’s new single “We Got This” reminds us that we’re going to come out of this, despite the fog of uncertainty we’ve been faced with for months now.

Bluey might owe much of his mannerisms to George Benson, but the Incognito linchpin’s main stock-in-trade has always been his grooves.