Wadada Leo Smith’s ‘Sacred Ceremonies’ is a divine communion among legends, but it’s also yet another ambitious statement from an artist who produces lofty works with so many different accomplices on a regular basis.

There’s a lot of appealing melodicism built into harmolodics, and the ‘Broken Shadows’ quartet of Tim Berne, Chris Speed, Reid Anderson and Dave King succeed in driving that point home.

Satoko Fujii’s Tokyo Trio as heard on ‘Moon On the Lake’ is not a conventional jazz trio but a Fujii ensemble in every sense, with the grace, sophistication, surprise and ingenuity found in her other groups.

Check out the crushed velvet-smooth slow jam “For My Love” advance single from Butcher Brown’s upcoming ‘Encore’ EP.

Never being in the same place at the same time, Three-Layer Cake’s Brandon Seabrook, Mike Pride, Mike Watt were somehow able to mold strongly peculiar music that fits together to form a weirdly cohesive whole ‘Stove Top.’

As we experience the hopeful signs of society coming out of a dark winter of plague, Chris Potter and his Circuits Trio are giving us music of rejuvenation with ‘Sunrise Reprise.’

There’s never been a 21st century ESP-Disc that’s sounded so much like a mid-’60s ESP-Disk record than ‘Winter Garden’ by the Flow Trio with Joe McPhee.

Noah Haidu’s attention to all of the facets that made Keith Jarrett such a major jazz figure pays off with an album worthy of its incomparable subject.

Big Monitors’ lively cover of “O’Neal’s Porch” is all about the exhilaration of freedom coupled with the majesty of tradition. That’s probably the best way to honor William Parker.

The WRD is Robert Walter, Eddie Roberts, Adam Deitch, and though there aren’t any words sung on ‘The Hit,’ there are bountiful hand-made grooves.