Jazz pianist and composer Luther Allison makes his first splash as a leader with his introductory, Memphis Mafia-inspired album ‘I Owe It All to You.’

Nothing brings out the true character of virtuosic musicians Aruán Ortiz and Ramón López like the ‘Ephemeral Shapes’ improvisation sessions with Ivo Perelman.

In many ways, Phillip Golub’s astounding debut ‘Abiding Memory’ evokes the budding genius of early Vijay Iyer.

As an advanced bassist and composer, Kim Cass with his star colleagues meet his challenges head-on, making ‘Levs’ such a breathtaking ride.

‘Live at the 188 Club’ from Aurora Nealand, Mark Helias and Tim Berne underscore the three-way interplay between sax, accordion and bass, and proves the concept works nicely when the right musicians are executing it.

‘Old Main Chapel’ is a fitting epilogue in the rich, under-heralded output from the gently poignant brilliance of Ron Miles.

‘To the Point’ introduces drummer/composer/bandleader Devin Gray’s new quartet, full of talented Belgians who know how to carry out his engaging compositions to the fullest.

‘Panoply’ is a quality sampler of Denny Zeitlin’s fertile (and still ongoing) Sunnyside era, with the added benefit of adding to his canon.

Here is the streaming premiere of “Doomknocker,” the second single from Alfredo Colón’s debut album ‘Blood Burden.’

Pianist John Escreet took his great L.A. group and made it even better for the epicenter of your dreams.’ Call it addition by sweet addition.