On her latest excursion as a leader, ‘The Glass Hours,’ elite bassist Linda May Han Oh does everything to burnish her reputation as a complete artist.

‘Catching Ghosts’ with Majid Bekkas and Hamid Drake is a fine keepsake from Peter Brötzmann’s recent comeback, capturing an old soul taking chances with a fire still in his young heart.

By expanding his band into an orchestra for ‘The Other One,’ Henry Threadgill demonstrated that his deviceful musical ideas are not only scalable, but eminently enduring.

If Kate Gentile is capable of a major statement like ‘b i o m e i.i,’ there’s nothing she’s incapable of.

Since members of the Vampires have previously collaborated with each member of the Necks, Chris Abrahams’ inclusion in the former group for the attractive new release ‘Nightjar’ makes this addition by addition.

‘Pipe Dream’ is challenging but satisfying chamber jazz from a quartet that instinctually knows each other, with Lina Allemano relentlessly pushing forward.

There’s no one like Carl Weingarten and his new retrospective ‘The Simian River Collection’ will make you like his music, like no one else’s.

‘Blue Room: The 1979 Vara Studio Sessions in Holland’ captures the trumpet icon Chet Baker playing in peak form in this long-lost treasure now finally released by Zev Feldman’s Jazz Detective label.

Dan Rosenboom finds a powerful conduit for his creative ideas from an all-star quintet, enabling him to fulfill the promise of all of his compositions with the no-compromises ‘Polarity.’

This is the video premiere of “Three Wheels” by the solo piano of Rachel Eckroth, part of her album ‘One’ debuting on April 21, 2023.