Featuring this dreamtime folk whimsy and a fabulist band name, The Ghost of a Saber Tooth Tiger sound at times like Syd Barrett, or maybe Simon and Garfunkel. Or, like an ornate, late-night 1960s French pop singer, after perhaps one too many tokes. What they don’t sound like, not really,Read More

You could argue that Robert Johnson, the doomed 1920s-era Mississippi bluesman, was the first rock ‘n’ roll star. Johnson certainly played the role, with his flair for the dramatic, questionable lifestyle choices and early death. More particularly, he sounded the part: Tough and honest, full of vibrancy, danger and rhythm.Read More

Photo from Gary Sellers’ website by Nick DeRiso Blues guitarist Gary Sellers has a depth of passion, and a delicate touch at melding styles, that belies his youth. Whatever grade he’s in, though, Sellers has done his homework. Listening to his new recording Soul Apparatus, you hear Gregg Allman inRead More

Photo by Mark Seliger by Nick DeRiso “The Afterlife,” featured on Paul Simon’s forthcoming album So Beautiful or So What, is pulsing and sinewy — almost like a lost track from Graceland. Not that there’s anything wrong with that. See, Simon has said the premise of this new recording wasRead More

Photo from Gregg Rolie’s website by Nick DeRiso Gregg Rolie, a founding member of Santana and then Journey, is probably best remembered as this tiny speck playing keyboards in a sold-out arena. That makes the deeply introspective new EP Five Days, recorded live with just piano and vocals, an unexpectedRead More

by S. Victor Aaron A marimba, a vibraphone, a stand-up bass, percussion and a little kora. A little bit of American jazz, a dash of Caribbean and a side of African folk music, but not quite like any of the three. How sweet the sound. That’s the kind of soundRead More

A Fragile Tomorrow builds out from the country-rock synthesis of pathfinders like the Band and the Byrds – but there’s something else here.

photo from philadelphiaweekly.com by S. Victor Aaron One of Frank Zappa’s latter day live documents is called Make A Jazz Noise Here. Anyone who’s followed Zappa knows that while Zappa rarely really played jazz as we tend to think of jazz, a lot of his music adopted the exacting, open-endedRead More

by Mark Saleski In the recent Southern Music issue of the Oxford American, musician John Engle speaks of “The Vastness,” the idea that the world’s store of knowledge is so vast that “if you tried to take it all on at once it would crush you.” It’s true. And thereRead More

by Mark Saleski The music of jazz composer/pianist Matthew Shipp isn’t fairly described as “avant garde,” mostly because to a great many people, that categorization can be read as “I don’t understand this music, can we please leave now?” This wouldn’t be fair to Shipp because over the course ofRead More