The substantive ‘Respect My Art’ by Organ Freeman grooves, rocks and makes you feel good without that nasty guilty pleasure aftertaste.

Philipp Gerschlauer and David Fiuczynski getting together for ‘Mikrojazz: Neue Expressionistische Musik’ took microtonal music to new places, and there’s never a dull moment.

A galvanizing performance on stage makes it three for three for Barry Altschul and his 3Dom Factor. We could stand for another one after ‘Live In Kraków,’ however.

feature photo: Roberto Masotti/ECM Records No, Terje Rypdal is still thankfully among us, but with a rich discography stretching back more than fifty years, the Norwegian guitar legend’s 70th birthday is as good occasion as any to You May Also Like: Terje Rypdal – ‘Conspiracy’ (2020) The Dream, featuring TerjeRead More

‘That’s What She Said’ is a great way to get to know the multi-talented Ali Handel. And once you get to know her, you’re bound to like her.

While ‘For Those About to Jazz/Rock, We Salute You’ really has nothing to do with AC/DC, Vector Families has that kind of intensity level and spunk. Only with way more improvised gumption.

Though tim Berne’s Snakeoil band lives and thrives dangerously, ‘Incidentals’ never goes off the rails; there’s a constant sense of surprise but coupled with a sense of purpose.

‘Trip’ is not Mike Stern’s ‘return to form’ but rather, a reaffirmation of form. And for that, we can be grateful.

Four masterfully intuitive musicians who regularly aspire for greater heights with each venture reach the summit together on Satoko Fujii’s ‘Aspiration.’

Older, wiser and brimming with confidence, Jonny Lang makes his strongest case yet for his early fans who fell in love with that high school phenom to come running back to him. In 2017, ‘Signs’ fulfills the promise of 1997.