by Nick DeRiso The timing couldn’t have been better: ESPN Books issues “Third and a Mile,” focusing on black NFL quarterbacks like Grambling products James “Shack” Harris and Doug Williams. And it happens just as two African-Americans advance to the Super Bowl as head coaches for the first time ever.Read More

They opened up the building and we streamed through the turnstiles, tickets and hats and signs in hand. We bought Dome Foam, personal pizzas, and peanuts. So much of that was similar to other days in this place, as the New Orleans Saints played their first home game of theRead More

While just about everyone else who critiques music have already trotted out their “Best of 2006” lists, I’m still going through many of these releases for the first time (I might work faster if I got paid better). One of last year’s servings that I finally gave a listen toRead More

Tokyo-based whack jazz guitarist, turntablist, composer, arranger and knob twiddler Otomo Yoshihide has been called the John Zorn of Japan for his love of combining experimental sounds with avant-garde jazz. And to my ears, there’s not much there to dispute the comparison, for better or for worse. His fascination withRead More

by Pico A couple of weeks ago we looked at a band who at times sound like a virtual clone of Yes in their prime. This time, we spotlight a musical group who has taken mimicking others to an whole ‘nother level. Mickey Melchiondo and Aaron Freeman, aka Dean andRead More

Alright, confession time. There are large areas of the musical landscape I listen to pretty regularly but haven’t written about and probably never will. And there’s various reasons for that. For instance, popular releases are bound to be well covered elsewhere, adding my thoughts to it just seems redundant. ThenRead More

by Pico When you look at the blues scene today, some of the best out there can do one or two things well. Studebaker John, however, is a quadruple threat. He can compose, sing, play guitar and play blues harp, and do all of these things better than most. TheRead More

Much like jazz, most young people get introduced to the blues from artists who mix it with a more mainstream type of music, which usually means rock. Twenty years ago Stevie Ray Vaughan’s music was the gateway to the straight blues while the young Jonny Lang led the way thereRead More

> by Pico Jam bands seem to come in all kinds of flavors. The Allman Brothers took blues-rock, mixed it with soul and jazz and stretched it out. Grateful Dead was into a psychedelic kind of folk while Phish was known for their eclecticism and thrived on absurdity. Virtuosos DerekRead More

by S. Victor Aaron Heavy metal is not the kind of music I get into that much, but combine it with avant garde jazz and it’s often a whole ‘nother story. Caspar Brotzmann, The Scorch Trio, parts of The Vandermark 5; these guys have a way of making two seeminglyRead More