by Pico Wow, I nearly missed this one. For years now, I’ve been a fan of the man from Memphis for his undiluted brand of deeply rooted electric blues and for his harmonica that currently has no peer with the recent passing of Carey Bell. After Musselwhite’s highly acclaimed SanctuaryRead More

by Pico Joey deFrancesco. Tony Monaco. Larry Goldings. Barbara Dennerlein. All at the forefront of the current generation of jazz organists and heirs to the mantle of Jimmy Smith, Charles Earland and Jack McDuff. Oh yeah, there’s one more notable: Sam Yahel. But with the release this week of hisRead More

Ed Williams, a good-time throwback, is as much bluesman and blue blood — his uncle and musical mentor was the great slide guitarist J.B. Hutto — so it’s certainly no surprise that he strikes a determined retro stance on “Rattleshake.” What’s cool is that he keeps pulling it off. MatureRead More

NICK DERISO: The Rockets were an undeniably crisp, hard-working blues band in the early 1980s, respectable if a little nondescript. Darrell Nulish handled vocals and harmonica, fronting a group led by the unusually named, and just as unusually talented, guitarist Anson Funderburgh. The basis for “Blast Off,” a 1992 retrospectiveRead More

I tried but, damnit, I just couldn’t ignore Fear Of A Blank Planet any longer. Whenever someone asks me who among the current crop of prog rock bands they should explore, Porcupine Tree is always on the top of my list. While I enjoy Yes-reincarnated outfits like Spock’s Beard, PTRead More

A few months ago we bemoaned the dearth of talent promoted by record labels while there’s an abundance of it out there unsigned, and put forth Vancouver’s own Heidi McCurdy as an example of overlooked artistry. About three hundred miles south in Portland, Oregon is yet another diamond in theRead More

Back in January we covered two of JLP’s albums from the early eighties at once, to examine a turning point in this French violinist’s approach to jazz-rock. This time around, there’s a brand new release to examine and twenty-five years later, Ponty is still effectively leveraging much of the sameRead More

Since new David Torn releases don’t come around that often–the last one came out in 1998–Christmas arrived last month to lovers of electric improvised music, such as myself. Mark Seleski’s review of Prezens whetted my appetite further as he described the album’s music as “the combination of ambient approach andRead More

Sometimes a record doesn’t smack you across the head on the first listen but at some point…maybe that 3rd or 4th listen…it hits you: “Damn! This is some well made, well played music!” That’s how it was with me for Joel Frahm’s new release, We Used To Dance. Frahm isn’tRead More

by S. Victor Aaron Since the mid-sixties, jazz musicians have sought to combine electronic instruments with jazz to create something new and fresh sounding. The most obvious result of this mix is called fusion, but others have managed to do it taking different approaches that uses these instruments to actuallyRead More