By Tom Johnson Corinne Bailey Rae is one of those unexpected interests for me, a pop-chanteuse making the kind of music I typically wouldn’t really find much interest in. But, for some reason, I fell for her simple, emotive voice. My only problem with her eponymous debut album was thatRead More

by Derrick Lord Old sayings get to be old sayings for a reason: There is usually a good bit of truth in them. I gave Sheryl Crow’s album C’mon, C’mon a spin based on the single “Steve McQueen” and I thought: “Yup, the apple didn’t fall too far from theRead More

by Mark Saleski Baritone sax (Evans) and piano recorded live at a church. The room gave just the right amount of natural reverb, which is a great thing because too much echo can muddy all of those wonderful details my ears parts expect from the bari sax: clacking valves, breathyRead More

by Tom Johnson With his 2001 release, Poses Wainwright (yes, the son of Loudon Wainwright III) gave the world a breath of fresh air. Often set to what amounts to modern day Tin Pan Alley tunes, Wainwright uses his voice to display something that so often goes ignored these daysRead More

By Tom Johnson I spent most of the morning flipping between one disc and the next, restless for something that actually fit my mood. I just didn’t want to, you know, as they say, deal and nothing particularly appealed to me. On days like this, I tend to gather upRead More

by Tom Johnson Following her fantastic 2000 release Red Dirt Girl, this found the angelic-voiced Emmylou Harris continuing down the path she started with Daniel Lanois on the equally fantastic but slightly more stunning 1995 album Wrecking Ball, and that’s just fine with me. Once a country-goddess, Harris has incorporatedRead More

On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to jazz pianist Michael Wolff. You May Also Like: Cannonball Adderley – ‘Poppin’ in Paris: Live at L’Olympia 1972′ (2024) Warren Zevon’s ‘Jeannie Needs a Shooter,’ ‘Piano Fighter’ + Others: Gimme Five Warren Zevon,Read More

by Tom Johnson Elvis Costello makes yet another shift in his career, this time to take on the persona of a jazz crooner backed by an orchestra arranged and conducted by his own bad self. Does it work? Depends on your view of Elvis: If, in your world, he’s theRead More

I do like my jazz with some funk, and Chris Greene delivers.

Neal Morse, former frontman for Spock’s Beard, joined us for an Something Else! Sitdown in advance of the release of his long-awaited ‘Testimony 2.’