Love is so strangeHow we change from day to nightLove is so strangeHow we change from black to white The music of our childhood and early adulthood…it seems that no matter how crappy the music is of the time, there’s still a strong, lasting connection to it. Recently I’ve beenRead More

by S. Victor Aaron Ever put in a CD for the first time not expecting any fireworks from the music contained within and find yourself surprisingly blown away by it? That’s how it was for me the first time I listened to Laura Nyro’s Laura: Live At The Bottom Line.Read More

This week’s single song review shines a light on avant-jazz composer/flautist/altoist Henry Threadgill. A part of the seventies whack jazz movement that brought us such lunimaries as Julius Hemphill, David Murray and the Art Ensemble of Chicaco, Threadgill was one third of the modern creative ensemble Air with bassist FredRead More

Parts of Bob Dylan’s soon-to-be-released record “Modern Times,” his first in five years, were “leaked” by Sony last Friday – and while I get my mind around those tracks, I’ve begun my own never-ending tour of his old stuff. “TRAVELING WILBURYS, Vol. 1,” 1988 Recording a song a day, DylanRead More

By S. Victor Aaron When Nick’s article on that badass Idris Muhammed started name-checking all the jazz heavyweights that this great dummer had been associated with, I then realized how many records with his imprint that are among some of my all time favorites. It would easy to launch intoRead More

by S. Victor Aaron My look at jazz guitar records that didn’t get their due. You May Also Like: How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus John McLaughlin – Black Light (2015)

by S. Victor Aaron Some favorite jazz albums of mine that don’t come up at the top of anyone else’s top records list, but I thought were outstanding despite the lack of publicity about them. … You May Also Like: Jazz’s Best Last Records by John Coltrane, Eric Dolphy +Read More

Another in a series of overlooked jazz classics. This time we look at diamonds in the rough by perhaps the single most influential figure in jazz since World War II: Miles Davis. A high profile artist whose work has been picked apart as much as Davis’ won’t have a lotRead More

by S. Victor Aaron Recently I revisited an album that wore our my cassette player during late ’86-early ’87: Tutu by Miles Davis. It typically takes a long time to get the right perspective on a Miles record, he was often took a direction in music before his listeners wereRead More