by S. Victor Aaron Some favorite jazz albums of mine that don’t come up at the top of anyone else’s top records list, but I thought were outstanding despite the lack of publicity about them. … You May Also Like: Jazz’s Best Last Records by John Coltrane, Eric Dolphy +Read More

by S. Victor Aaron Here, we take a look at the mighty Hammond B-3. To make it a bit challenging, no records by the organ jazz godfather Jimmy Smith will be on the list. You May Also Like: Scary Goldings, feat. John Scofield – ‘IV’ (2021) Brian Charette – OnceRead More

This time we look at albums with grooves in the pocket even if they weren’t much in the press: 1) Herbie Hancock, Mr. Hands (1980)The seventies began very creatively for HH, first with the space funk Mwandishi albums followed by the better-known Head Hunters period that firmly eastablished Herbie’s pre-eminanceRead More

by S. Victor Aaron 1) Aja (1977)Strong set of songs + note perfect production + top notch musicianship = masterpiece. High point: The Wayne Shorter and Steve Gadd exchange during the extended instrumental passage of the title cut. Low point: Didn’t come with a second LP. You May Also Like:Read More

by Nick DeRiso A line-up from jazzer nirvana is one thing. Wringing such ringing performances out of the guys is quite another. Call this cool vibes from vibrophonist Hampton, who certainly knows where to mail the invitations — a veritable who’s-who of jazz for the newbie: Pianist Hank Jones, trumpeterRead More

Another in a series of overlooked jazz classics. This time we look at diamonds in the rough by perhaps the single most influential figure in jazz since World War II: Miles Davis. A high profile artist whose work has been picked apart as much as Davis’ won’t have a lotRead More

by S. Victor Aaron If someone were to ask me who was the best alto sax player ever, I couldn’t at least not heavily consider Cannonball Adderley, the Miles Davis sideman. He had both technique and soul by the sackful. Adderley churned out some fine ones even without the PrinceRead More

by Nick DeRiso “Sitting on a suitcase, in the Memphis depot – wishing to God I could fly,” sings Clarence “Gatemouth” Brown on my old record. “Catching this train is my way of telling Memphis and Mildred goodbye.” People have actually asked me to bring it to parties. The albumRead More