There is a contingent of “fans” out there who label this song the “mistake” of The Wild, The Innocent & the E Street Shuffle. Since I think of the record as one of rock’s perfect albums, I must disagree. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the InnocentRead More

The last track on Pretzel Logic might be my least favorite one of that album, with that over the top fuzzy bass line. To some it makes the song nice ‘n’ fonky but I find it a distraction; I wanna hear Dias and Baxter’s guitars over that noise. You MayRead More

Psych-rockers Pink Floyd and EMI are launching an exhaustive re-release campaign, beginning today. You could say that tickled us … pink. You May Also Like: No related posts.

Now here we have the E Street Band with David Sancious and Vinny Lopez imparting more than a little bit of their jazzier sides. The jazz feel comes partly from Lopez’ loose-but-tight work at the kit and from Sancious’ wicked organ solo. You May Also Like: Reevaluating Bruce Springsteen’s ‘TheRead More

Credit Uriah Heep as the co-inventors of hard rock, along with Black Sabbath, Deep Purple and Led Zeppelin. It doesn’t mean they couldn’t craft a crunchy little hit single, too. You May Also Like: On Paul McCartney’s ‘Egypt Station,’ Uriah Heep’s ‘Living the Dream’ + other new releases Doobie BrothersRead More

> *** STEELY DAN SUNDAY INDEX *** The art of narration in a song, I would suppose, is one that’s hard to nail down so tight, because when it’s done so well, you remember it. You May Also Like: Walter Becker, “She Was Good” (early 1990s): Steely Dan Sunday SteelyRead More

Freddie Mercury, talking about his band Queen, once compared them to the sweeping Hollywood auteur Cecil B. DeMille, and he wasn’t that far off. The group, which also included guitarist Brian May, bassist John Deacon and drummer Roger Taylor, was a heady mixture of heavy metal, prog, power pop, discoRead More

Much of Springsteen’s early work was populated with large casts of characters and places, skillfully woven into the narrative. Heck, sometimes the people and places were the narrative. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’

With little apparent interest in pursuing non-ironic love songs, Steely Dan have often touched on themes of criminal activity (hell, I think most of The Royal Scam was about crime). They never pursued the topic with an approving tone, though. You May Also Like: Steely Dan, “Carey” (circa 2001): SteelyRead More

The distractions when it comes to Heart (gender politics, obvious curtsies to Led Zeppelin, wall-to-wall 1980s power-ballads, etc.) are swept away You May Also Like: Elton John – Greatest Hits 1976-1986 (1992): On Second Thought