“Philly soul” was a phrase used to describe and categorize a distinctive style of music produced and pressed on the Philly Groove label located in Philadelphia, Pennsylvania. The Delfonics, who pioneered the sound, released a chain of hit singles during the late 1960s and early 1970s, which all appear onRead More

It’s hard to imagine, but there was a time when Bruce Springsteen intended to release “Badlands” with no saxophone solo.

Since Donald Fagen and Walter Becker first set out to be a songwriting team and only started a band when it became evident this was was going to be the only way to get their songs recorded in any meaningful way You May Also Like: Walter Becker, “Hard Up CaseRead More

This, the majestic closing track of Born To Run, is the song that some people think should be retired. I’ll get to that bit of insanity in a little bit. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’

The Beach Boys announced on their web site this morning that they will reunite for what’s being billed as “a global 50th anniversary celebration” in 2012. You May Also Like: No related posts.

1970-1975 was one of the most creative, if not weird, periods of musical history, and that goes for Genesis as well. The most artistically exciting material of the band’s career, which is all covered on Box Set 3 (1970-1975), was produced during these years. You May Also Like: No relatedRead More

Springsteen’s ode to film noir, “Meeting Across The River” is perfectly sequenced as the energy momentarily shifts down from She’s The One and heads toward the album’s close. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’ Alister Spence and Satoko Fujii OrchestraRead More

Steely Dan paid homage to Duke Ellington back on Pretzel Logic with the only cover song on a SD album, and less explictily so again with the closing track on Katy Lied, “Throw Back The Little Ones.” You May Also Like: Steely Dan’s The Royal Scam: Seeing the glory 40Read More

If you’ve ever been interested in Ornette’s Free Jazz, but thought that it might be “too much,” then this album might be worth a listen. The first track, “First Take”, is literally a shorter version (17 minutes) of the Coleman classic. The double quartet lineup is impressive, too: Don Cherry,Read More

All of the Internet chatter this past week about this year’s Rock Hall of Fame nominations has been great fun. It’s great fun every year. You May Also Like: No related posts.