Neal Schon has his own opinions about how a planned reunion of the early 1970s lineup of Santana should unfold. He wants to return to the loose, improvisational feel of their classic collaboration Santana III. You May Also Like: No related posts.
As the Who gears up for another series of shows featuring Quadrophenia, beginning on June 8, 2013 at Dublin, it’s worth remembering that things haven’t always gone so well You May Also Like: The Oddly Complex Legacy of the Who’s ‘Quadrophenia’
Paul McCartney is taking stock of the 1975-76 world tour that produced Wings Over America and the concert film Rockshow, just as each are seeing deluxe reissue. You May Also Like: ‘Wings Over America’ Remains a Pinnacle for Paul McCartney, Warts and All
Loving covers of popular music is a grand jazz tradition. From blues vamps to show tunes to popular song of the day, jazz musicians have explored the harmonic opportunities found in pop music. You May Also Like: Anthony Braxton – ‘Quartet (Standards) 2020’ (2021) Thumbscrew [Mary Halvorson, Michael Formanek +Read More
The last recordings of an early rock legend had none of the crunchy grit of “Dizzy Miss Lizzy.” Instead, Larry Williams reimagined his sound.
If you have any doubt who the greatest singer in the history of metal, heck, maybe in the history of rock ‘n’ roll is, just pop this DVD into your player and fast forward to the second song. You May Also Like: Dio’s Often-Forgotten ‘Magica’ Recalled Early Ronnie James DioRead More
Like most fans, we were hoping the Rolling Stones would pull out some deep cuts as they convened to celebrate five decades of debauched rock. What we got, however, was “Emotional Rescue” You May Also Like: How ‘Love is Strong’ Grew Into a Stone-Cold Rolling Stones Classic
This is a first-time CD reissue in any form of Sam The Sham’s fine 1971 solo album, originally released on Atlantic Records and produced by the legendary Tom Dowd at Criteria Studios in Miami You May Also Like: Boz Scaggs + Duane Allman, “Loan Me a Dime” (1969): One TrackRead More
Originally released in 1975 on A&M Records, Armageddon proved to be the late great ex-Yardbirds/Renaissance vocalist Keith Relf’s last stand — and he really went out rockin.’ It must have come as a shock to his legacy fans You May Also Like: How Jimmy Page and the Yardbirds Went OutRead More
At the time, punk was thought of as the fast and rough stuff, with classic rock geezers like Ritchie Blackmore already relegated to the dustbin of history. Hardly. Rainbow’s molten Live in Munich, recorded in 1977, zips along at a blinding pace. You May Also Like: No related posts.
