Michael Gregory Jackson’s ‘Frequency Equilibrium Koan’ is a communion of loft jazz musicians who weren’t just among the best of their time, but of *all* time.

Far from this being a quick cash-in, ‘Demos (1973-75) Volumes 1 & 2’ is a quality expansion of Azymuth’s sparse early discography.

So maybe no one asked for a reunion of Todd Rundgren’s Utopia? It’s a question that should have been asked. And ‘Live at the Chicago Theatre’ is the answer.

Expanded reissues from the Residents allow us to peer inside the earliest mad musical manifestations of possibly America’s most enigmatic musical troupe.

‘I Called Him Morgan’ is a compelling, up-close documentary chronicling of the self-destructive lifestyle of jazz prodigy Lee Morgan.

Steely Dan’s ‘Aja’ set the bar for finesse in pop and rock music, and that bar hadn’t been cleared yet.

Jazz Dispensary reissues two early 70s documents of explorative jazz: Gary Bartz NTU Troop – ‘Harlem Bush Music – Uhuru’ (1971) and Joe Henderson feat Alice Coltrane – ‘The Elements’ (1973)

Good job on “Goodbye,” Robert Lamm. It’s too bad your dominance over Chicago’s songwriting would soon come to an end.

Victor Assis Brasil left behind several quality works to explore but his Jobim tribute ‘Toca Antonio Carlos Jobim’ now reissued is a fine place to start on that journey.

Four decades hence, it’s easy to hear the glory of Steely Dan’s diverse and calculating ‘The Royal Scam.’