by Nick DeRiso “Like Sonny,” reportedly based on an element of a Sonny Rollins solo — perhaps during “My Old Flame,” from Kenny Dorham’s 1957 Jazz Contrasts record? — illustrates the remarkable attention to detail that still makes John Coltrane’s music not just interesting but important. He wasn’t a stylist,Read More
by Something Else Reviews In many ways, television is a technological wonder these days, what with remote controls, digital signals and DVRs. But, for those who fell in love with the old-school opening theme, it’s not all gravy. Today, you’re more likely to simply see the word LOST charging towardRead More
by Mark Saleski Last year, after a couple of trips to the hardware store, it appeared that we had enough hooks to decorate our Christmas tree. True to form, shortly after stocking up we managed to find the “lost” hooks and now have enough to hang stuff on a treeRead More
Beatles drummer Ringo Starr has taken his share of knocks over the years. But we’d like to give the former Richard Starkey his due.
Sometimes, we need reminding that Chicago was once a rock/jazz/blues/R&B/whack jazz band masquerading as a mainstream rock band.
Note: This is a slightly abridged version of the inaugural article in the long-running “Whack Jazz” series, first appearing on July 11, 2006 on a forerunner site to the Something Else! webzine. Machine Gun remains to me the gold standard for all thrash-jazz records, one that all other such albumsRead More
News that the Beach Boys were contemplating a reunion to celebrate the band’s 50th anniversary (or not?), got us to thinking … Think Beach Boys, and many remember a group perhaps irrevocably reduced by its tragicomic storyline. Admittedly distracting plot points, beyond the 36 Top 40 hits (most of anyRead More
by Nick DeRiso Bassist Charles Mingus, an enlightening yet stormy presence, clearly felt he had unfinished business with some of his earlier work. So, he used “Mingus Mingus Mingus Mingus Mingus” and a move to the more creatively open Impulse! label to take another pass at them. That turned intoRead More
by Nick DeRiso Julian “Cannonball” Adderley, a spirited, bluesy and always fun performer, seemed to burst out from a series of early live recordings during a period when that was rare. In the late 1950s and early 1960s, there were just too many logistical nightmares, from getting good takes inRead More
by Nick DeRisoThough Jimmy Smith is the principal voice of the Hammond B-3 in jazz, finding an entry point in his long discography can be difficult. Some might argue for 1956’s “At the Organ,” featuring Cedar Walton, Pepper Adams and Chick Corea. For me, though, that one doesn’t pop withRead More
