Su Andersson’s ‘Brave’ is an album that follows in the great assertive tradition of progressive folk, meeting the blue-jeaned coffee-house muster of old.

Bob Mould’s post-Husker Du band Sugar debuted 30 years ago today with ‘Copper Blue,’ then soon vanished. Here’s where to find everything they recorded.

If you’re looking for a guitar / piano / acoustic bass combo that breaks all the rules, there’s probably only Gordon Grdina, Matthew Shipp and Mark Helias.

This concludes Mick Raubenheimer’s series examining ‘Joe Garage,’ the three-part rock opera released by Frank Zappa in September and November 1979.

David Paich joins Preston Frazier to discuss his debut solo EP ‘Forgotten Toys,’ as well as key deep cuts from his legendary Toto discography.

Mamas Gun dig deep again and again into the R&B cavalcade of time, conjuring track after track of unique, satisfying music.

Michael Formanek’s composing prowess had set a high standard for this ensemble. Sometimes, though, you just gotta let guys run off the leash. And, as we now know with ‘Other Zones,’ he did.

Warren Zevon didn’t just release his best album since ‘Excitable Boy’ 35 years ago today. He released his best album, period.

Source material, much like actors, was merely a tool for Stanley Kubrick, a handy instrument to facilitate his vision.

Here is the video premiere of “wha tekau ma iwa,” from the fully improvisational ‘4.9’ album by Rocío Giménez López, Matthew Golombisky and Matias Formica.