Michael Salvatori’s ‘Waiting For Autumn’ will appeal to lovers of Mike Rutherford’s ‘Smallcreep’s Day’ and the more acoustic music from Anthony Phillips.

As ‘One More, Please’ makes evident, Tim Berne and Matt Mitchell can keep their collaboration going for a long time because their collaboration never moves beyond the discovery phase.

Television has offered me the opportunity to discover a batch of cool songs from the likes of Tame Impala, Junip, Library Voices and others.

Radiohead self-released ‘In Rainbows’ 15 years ago this week after an annoying promo campaign that nearly ruined the album for me.

John Escreet’s first trio album ‘Seismic Shift’ is that rare record where both massive chops and innovative harmonic ideas both come in spades.

Country songs were seldom this brazen, especially those recorded by its female stars – and many radio stations banned Loretta Lynn’s “The Pill.”

Albums like Bruce Springsteen’s ‘Tunnel of Love,’ released 35 years ago this week, are the dark but needed respites before his E Street Band roars back to life.

Fun, convincing and powerful, Susie Blue and the Lonesome Fellas make Halloween – or at least Halloween-inspired music – bearable for me.

With ‘Reasons,’ nothing has changed much in Lindsey Webster’s craftsmanship and style; it remains quality soul-satisfying music for grown-ups.

Here is the video premiere of ‘Rebirth’ by Noam Lemish, from the pianist, composer and bandleader’s upcoming orchestral-jazz record ‘Twelve.’