If you’ve noticed that Heart hits like “Never,” “Straight On” and “All I Wanna Do Is Make Love To You” weren’t part of their recent set lists, there’s a reason for that: Ann and Nancy Wilson say they got sick of them You May Also Like: Heart – Beautiful BrokenRead More
Though his decades old warnings about the moral decay of Reaganism rang ever truer in the age of Fox and Palin, the late Gil Scott-Heron entered the 2010s as a prophet without honor in his own country. You May Also Like: Christian Scott Confirmed His Vision for Jazz With ‘LiveRead More
If the idea of smooth jazz makes you cringe, we’ve got some great news for you: It ain’t all bad.
Jon Davison has been with Yes for about a year and half, time that’s largely been spent revisiting a trio of the group’s 1970s recordings on tour. Now, he and drummer Alan White talk about the prospect of new music. You May Also Like: No related posts.
Crisp, dry production, a lean groove — anchored by Becker’s usual fat, bubbling bass line — and Fagen’s smart horn arrangement, “Janie Runaway” is an agreeable little mid-tempo number You May Also Like: Walter Becker, “The Dopest Cut / Down In the Bottom” (1992): Steely Dan Sunday Steely Dan Sunday:Read More
The famously mercurial Neil Young has left more than one project seemingly at the drop of the hat — most recently walking out on a planned Buffalo Springfield reunion in order to work with Crazy Horse again. You May Also Like: No related posts.
So much for the long-held notion that Elvis Presley had simply thrown away his own gifts by the 1970s. In fact, these soul-soaked sessions at Memphis’ legendary Stax Studios show an artist still deeply committed You May Also Like: Presley’s Beatles, “Can’t Help Falling In Love / Let It Be”Read More
After a short break, Sammy Hagar’s Four Decades of Rock concert series gets underway again later this month — touching on most every era of his career. Except Chickenfoot. You May Also Like: No related posts.
Tommy Bolin’s instrumental version of “Spanish Lover” is a highlight of the forthcoming Purple Pyramid release Whirlwind, which features rare and previously unreleased tracks You May Also Like: No related posts.
Gregg Allman remembers the first tune he ever wrote, at 17 — and the struggle for songwriting credit that engulfed “Melissa” before it was ever part of the Allman Brothers’ 1972 classic Eat a Peach. You May Also Like: How ‘One Way Out’ Finally Sold Me on the Allman BrothersRead More
